Reveal 52+ Alluring Myanmar Traditional House Design Most Trending, Most Beautiful, And Most Suitable

Myanmar or Burmese traditional house designs have been a source of inspiration for many generations. In the past, these houses served as a sturdy form of protection as they were made of bamboo and reeds. The traditional design was also divided into two distinct categories - the mountain and flatland. Typically, a flatland house would be of a more contemporary style, with rectangular walls and a central courtyard, while the mountain house featured more traditional rounded construction with an interior courtyard.

One of the unique aspects of Burmese traditional houses was the use of color and texture to add a certain character to the exterior. Whether it was the bright yellows and reds splashed against the plain walls or the intricate patterns, such buildings still stand as a testament to the immense level of beauty achievable through traditional housing designs.

The Htawara traditional house designs of Myanmar were once common in the royal regions of this country. This style incorporated many unique elements, such as gold-gilded roofs, intricate latticework, and the famous white-washed walls. These houses featured an abundance of protrusions, such as window bays, balconies, and verandas.

The walls were usually made of mud and mortar, with a few exceptions. Stove pipes from coal or wood were used to heat the interior spaces. During the royal era, such homes were highly sought-after and very expensive, usually built by the most well-known architects in the country. Although a rare sight nowadays, a few of these remaining luxurious homes still stand as emblems of Myanmar's rich architectural history.

The Gote traditional house design from Myanmar is a style that encompasses two distinct sub-categories - the upper Gote and lower Gote. As the name suggests, the upper Gote style is typically used for larger and more lavish homes; while the lower Gote style is more suitable for smaller and more humble abodes. The defining feature of this style is the large, curved roof, which provides an impressive entrance as well as a seamless transition between interior and exterior spaces.

The upper Gote style tends to incorporate lavish elements, such as the beautiful gold-gilded window frames. The lower Gote style, meanwhile, is more modest, featuring unadorned walls as well as the use of natural materials for the roofing. Traditional Gote houses placed a strong emphasis on functionality, while still achieving a charming aesthetic.

The Raung traditional house design from Myanmar was first developed in the 1880s by the country's wealthy elite. This style was often used to showcase the wealth and power of families, and the homes tended to be highly ornate in design. The use of curved lines was an especially common element in Raung architecture, allowing for a high degree of flexibility in the building's design.

Raung houses typically featured an abundance of unique decorations, such as the intricately carved window frames and unique structural elements. There was also a strong emphasis placed on natural materials, with bamboo and reed commonly used for the walls and roofs. The goal of this type of house was to strike a balance between functionality and aesthetic, creating homes that were both beautiful and comfortable.

The Myint traditional house design was a popular form of construction in the early days of the Myanmar society. These homes were known for their simple yet practical layout, and they were often built with natural materials. The walls were usually made of mud and mortar, while reed or bamboo was used for the roofs.

Myint houses also featured a unique pyramid-like shape. This shape provided a sturdy base while still allowing for a certain level of flexibility in the design. The unique roofing style of these homes also served as an effective way of regulating temperatures, making them comfortable in both hot and cold weather.

The Lon traditional house design of Myanmar was one of the most common and popular types of home during the 18th and 19th centuries. This style typically featured a rectangular design and was constructed with materials such as mud and reed. The thin walls helped to keep cool during the hot summer months, and the thatch roofs helped to provide insulation during the winter.

The Lon style of homes featured a central courtyard, which was often shaded by tall banana trees. This courtyard served as a source of coolness in the hottest of days, while also allowing for the home's occupants to relax in the shade. As one of the most popular and traditional residential designs in the area, the Lon style remains a popular choice today.

The Timbered traditional house design was common in the earlier days of Myanmar, and it was often found in the hillside and villages of the country. These homes were usually made from cedarwood and bamboo, giving them an inherently sturdy and robust construction. The roofs were typically made from several layers of thick thatch, providing an effective barrier from the elements.

These homes featured an abundance of ventilation options, necessary due to their smaller dimensions. The windows were usually healthy as to let in as much light as possible. The use of bright and vibrant colors helped to create a pleasant interior atmosphere, while also serving as a way of protecting the home from bad luck.

The Myaw traditional house design was another popular style of home in Myanmar. These homes were usually more spacious than the average house, and they featured a unique blend of structural elements. The walls were often made from mud and reed, and the roofs were built with long thatch pieces. In many Myaw homes, the walls curved outwards near the roof, forming a cylindrical structure with an elevated roof.

In general, the Myaw design was meant to be simple yet striking, allowing for a certain level of personalization without compromising the overall integrity of the structure. The Myaw style is well-known for its use of interesting textures, such as wood and brick, to add a certain layer of complexity to the home.

The Monal traditional house design was a sophisticated form of housing, which was developed by the wealthier members of the royal families. These homes featured highly ornate designs, with intricate carvings and decorations along the walls and windows. The roofs were usually adorned with intricate designs as well, with gilded edges and a variety of geometric patterns.

The walls of a typical Monal home were usually made from wood, clay, and mortar. Interior designs tended to be more sophisticated in nature; with curved furniture, carved coffins, and rich fabrics all making an appearance. This style of home was meant to provide the utmost level of comfort for the royal families, and many of these finely crafted homes remain standing today.

The Kye traditional house design was a style developed in the more northern regions of Myanmar. These homes were typically rectangular in shape, with the roofs and walls made entirely out of bamboo. The entrance of these homes usually featured a low porch area, which also served as an additional source of ventilation.

Kye houses featured a simplistic design, while still managing to capture a unique charm. The walls of these homes usually featured a light-colored mud and bamboo plaster, and the roofs were made with intertwined layers of reeds. This style of home was also known for its quick construction process, and these homes remain a popular choice in northern regions of the country.

The Hinn traditional house design of Myanmar was typically characterized by its curved roof and walls. Rather than following a traditional rectangular layout, these homes featured curves and slopes at both the entrance and interior walls. The curved walls allowed for greater ventilation, while also providing protection from the elements.

The use of natural materials was also prevalent in the Hinn design, with mud and reed being especially common. Artwork and decorations were sometimes added as well, giving homes a unique and distinguished look. Despite its complexity, the Hinn style was quite practical, being suited for both warm and cold climates.