Bed and Sofa, also known as Tri devushki in its original Russian title, is a silent comedy drama film released in 1927. Directed by Abram Room, the film tells the story of a love triangle between a married couple and their male houseguest. It was well-received by critics and audiences alike, and remains a classic in the history of Soviet cinema.Bed and Sofa (1927) - IMDb
On Rotten Tomatoes, Bed and Sofa currently holds a 94% approval rating based on 17 reviews, with an average rating of 8.2/10. The website's critical consensus reads, "A wry and clever commentary on marriage and gender roles, Bed and Sofa is a must-see for fans of silent film." Critics praised the film's depiction of complex relationships and its satirical take on Soviet society.Bed and Sofa (1927) - Rotten Tomatoes
On Letterboxd, Bed and Sofa has an average rating of 4.1/5 based on over 1,000 user ratings. Many viewers appreciated the film's humor and social commentary, as well as the strong performances from the lead actors. Some also noted the film's influence on later works, such as the French film A Man and a Woman (1966).Bed and Sofa (1927) - Letterboxd
The Wikipedia page for Bed and Sofa provides a detailed synopsis of the film, as well as information about its production and reception. It also highlights the film's significance in Soviet cinema, as well as its restoration and preservation efforts in recent years. The page also includes a list of awards and nominations received by the film.Bed and Sofa (1927) - Wikipedia
In his film analysis of Bed and Sofa, renowned critic Roger Ebert praises the film's "comic energy and cheerfulness" and its exploration of themes such as gender roles, infidelity, and societal norms. He also commends the film's use of humor to tackle serious issues, and notes the strong performances by the lead actors. Ebert ultimately gives the film a rating of 4 out of 4 stars.Bed and Sofa (1927) - Film Analysis by Roger Ebert
The Guardian published a film analysis of Bed and Sofa in 2013, marking the film's 85th anniversary. The article explores the film's portrayal of the changing roles of women in Soviet society during the 1920s, and how it challenges traditional notions of marriage and relationships. It also praises the film's blend of comedy and drama, and its enduring relevance in today's society.Bed and Sofa (1927) - Film Analysis by The Guardian
The New York Times published a film analysis of Bed and Sofa in 2017, on the occasion of the film's 90th anniversary. The article delves into the film's historical context and its impact on Soviet cinema, as well as its exploration of themes such as infidelity and the changing attitudes towards women in society. It also highlights the film's restoration and its continued relevance in modern times.Bed and Sofa (1927) - Film Analysis by The New York Times
The Criterion Collection released a film analysis of Bed and Sofa as part of their DVD and Blu-ray edition of the film. The analysis, written by film critic David Thomson, examines the film's themes and its place in Soviet cinema. It also praises the film's cinematography and performances, and includes a comparison to other works of Soviet cinema from the same era.Bed and Sofa (1927) - Film Analysis by The Criterion Collection
In their film analysis of Bed and Sofa, Slant Magazine praises the film's "subtle commentary on gender and politics" and its "ingenious use of space and mise-en-scène." The article also notes the film's humor and poignancy, and its enduring legacy in the world of silent cinema. It also highlights the film's restoration and its impact on modern audiences.Bed and Sofa (1927) - Film Analysis by Slant Magazine
Sight & Sound Magazine published a film analysis of Bed and Sofa in 2019, as part of their list of the 100 greatest films of all time. The article explores the film's themes of gender and societal norms, and its innovative use of humor and satire to address serious issues. It also praises the film's visual style and its impact on Soviet cinema, cementing its status as a classic in film history.Bed and Sofa (1927) - Film Analysis by Sight & Sound Magazine